Issue #03

Desire Lines / 2022

Our sense of smell tethers us unconsciously and elusively to people, places and our past. How? Why?
The lines that mark movement of animals and plants across landscapes are mysterious and long misunderstood. What can we learn about our world and ourselves if we pay them attention?
Gamilaraay writer Marika Duczynski yarns with Wiradjuri artist, poet and author Jazz Money about language and Country.
phosphorescenceJazz Money the water was clear                                     the whole way down and...
Recognising the value of life-supporting work in the home and garden.
How can land be managed in a way that liberates, not smothers, ecological processes?
'I wonder whether I walked through a forest at all.' Courtney Adamson comes to ground in a desecrated landscape.
Three artists speak about how the land we live on is cleaved by borders or shaped by colonial desires.
Working towards legal ancestral personhood for Martuwarra, the Fitzroy River.
Our sense of smell tethers us unconsciously and elusively to people, places and our past. How? Why?
The lines that mark movement of animals and plants across landscapes are mysterious and long misunderstood. What can we learn about our world and ourselves if we pay them attention?
Gamilaraay writer Marika Duczynski yarns with Wiradjuri artist, poet and author Jazz Money about language and Country.
phosphorescenceJazz Money the water was clear                                     the whole way down and...
Recognising the value of life-supporting work in the home and garden.
How can land be managed in a way that liberates, not smothers, ecological processes?
'I wonder whether I walked through a forest at all.' Courtney Adamson comes to ground in a desecrated landscape.
Three artists speak about how the land we live on is cleaved by borders or shaped by colonial desires.
Working towards legal ancestral personhood for Martuwarra, the Fitzroy River.