My current practice extends across photography, installation and participatory works exploring the relationship between humans and the natural world and the role of ritual in our lives. Natural cycles within time and space, life and death, nature and spirituality contribute to my way of investigating and engaging with the world around me.

My work explores a number of ideas examining the relationship between humans and nature and ways we engage with the natural world in contemporary life.

The Pre-Raphaelite painters are a clear influence in my photographic works. My aim is to draw upon an aesthetic of the romantic, naturalistic world, but referencing our contemporary lives and current issues. The setting in nature is designed to revert to a universal sense of humanity, reflecting our inherent animalism, acknowledging that we are a part of nature.

My series ‘The Edge’, 2013, explored the informal rites of passage and rituals which young people create for themselves in nature. The primal urge to create rites of passage in a culture where there are very few formal transitionary markers. The initiations, the pushing of physical, spiritual and emotional limits in order to discover one’s sense of self. Confronting fears, seeking a spiritual, transitional experience.

My work is reliant upon my subjects experiencing and engaging with their environment and emotions. The action of ‘going to’ and experiencing the location and subsequent ritual is as important as the photographic representation at the end. As put so succinctly by Ralph Waldo Emerson in “The Poet”,1884 “Art is the path of the creator to his work.”

—

tamaradean.com.au
Instagram